Art from nature

Sometimes I see something – a storm approaching, a bloom opening, the colors or textures of sunlit water – and want to capture it in a pottery design. Moe often, I work intuitively until something feels right, and later see a flower, field or brook that I noticed has flowed freely and effortlessly into my ceramics.

 

Flower bowl at Lee Wolfe Pottery

 

Urban Rustic bowl from Lee Wolfe Pottery

Marketing Tips from Steven Jobs and Me

 

Apple CEO Steven Jobs was truly brilliant. He left many great quotes as part of his legacy, and here is one that stands out for me:

"We've never worried about numbers. In the market place, Apple is trying to focus the spotlight on products, because products really make a difference. [...] Ad campaigns are necessary for competition; IBM's ads are everywhere. But good PR educates people; that's all it is. You can't con people in this business. The products speak for themselves."

In contrast to this I also read the Etsy forums, which are full of advice on how to market your work. You know, you can Twitter and ban together as teams to dominate Front Page coverage and do a Feasibility Analysis and give your work away for free in order to attract attention. And yes, I've tried all these things and more at one time or another.

The sad reality of Etsy is that only 5% of the 290,000 sellers on Etsy are making over $30,000/ yr in sales. And in the face of this overwhelming failure, they are intent on marketing more, marketing better, and marketing different.

Not that marketing is bad… but as Steven Jobs says, it focuses attention on your products. So if marketing more, better and different  isn’t working, it might be time to focus on improving the products. For an artisan, good products don’t come from making what everyone else is making. Good products come from connecting to that adventurous inner desire to try something new, to master a technique, to innovate, to push something known into the unknown.

My rustic ceramic bowls, hand sculpted with vintage lace textures and up to 7 layers of glazes are where I'm currently pushing the boundaries on functional pottery.

Pottery Loved by a Potter

I’ve always been opinionated, especially about what looks good, and really, there should be some sort of syndrome named for how opinionated I am about what is good or bad in pottery. Maybe 2% of all pottery made qualifies as even good, and then only maybe 10% of that qualifies as something I like. So there may be worthwhile pottery that doesn’t make my list but you cannot convince me of that, so don’t even go there!
So here are pieces by a few claymakers whose work enthralls me at the moment:

By Romy and Clare, it’s the organic shapes that push  the barriers of function without being unfuctional that really awe me. And the modern version of hand painted fruit. I just love it, and everything they do!

From HodakaPottery, it’s how harmonious and quiet this piece seems, while using so many design flourishes. Really quite stunning.

By JustMare, it’s the soft, subtle glazes paired with the twig handle- such an original interpretation of a mug!

You know I'm a fan of MarciG! Even if she wasn’t my daughter…. I’d be in awe of this huge emerging talent. Her pieces are magical and functional.

By peifferStudios, the organic shape that utilizes both stained and glazed areas is alive with that peace that comes from knowing nature intimately.

This is someone to watch! She has always had a unique vision and she’s really coming into her own lately. Keep your eye on DBabcock!
By WhitneySmith, this pine cone inspired set of nesting bowls is visually sophisticated and flawlessly executed. Whitney is a creative giant whose work evolves in new directions as if a fine geneticist is cross breeding nature with clay.
When I look at pottery, which has been made by human hands for over 10,000 years, the words of Werner Erhard come to mind:
“Any idiot can walk the path when shown it. But out here, there is no path. The path is made by your walking. “
And that’s what I love to see. Someone following their own muse, forging their own path, speaking in an ancient tongue but saying something that takes you into a yet uncharted inner terrain.

Building a Body of Work

We fall in love first with the pure act of creation. From there we chose a medium, such as clay, paint, metalwork. The pieces we make for sale are a consequence of an inner exploration, and that’s the most fulfilling context for creation. If you follow this path, what you create is a legacy that is distinctively your own, as Jonathan Fields so aptly describes. What you get if you don’t follow this path is a frustrating, jealousy producing, creative dead end of finding objects that others have made and trying to make them. In this world there is a great deal of finger pointing and reading endless marketing tips, and seeing other creatives as competition. The most threatening people of all in this world are the ones who are successful. Frankly, it’s not a satisfying place to be, and if you are a creative person stuck in this world, get out now! Put your time and energy into building a body of work!

A body of work is a clear, recognizable  path that you are taking with your artistic exploration and creations. To build a body of work,  just pick one thing that you like to make that you can make well. Make that with one invariable quality, and several variable qualities. Your same quality might be same subject matter, size, color, or utilitarian function. For example, I made these casseroles last year:

 

 

Here are some variations:

I also took the casserole shape in this direction and developed Keepsake Boxes, which is a smaller version of my casserole form, without handles.

A body of work is a path that you forge. You end up in uncharted territory, making things that aren’t like other people’s work. You begin to respect and even like other creative people, and recognize those who have also forged their own path. The challenge now is to continue to progress, to continuously move forward.

Werner Erhard once said, “Any idiot can walk a path when shown one. But out here, there is no path. The path is made by your walking.”

That’s what I’m talking about!

May Flowers: Poppies

Roxanna, of Illuminated Perfume, has organized a blogorama on the theme of May Flowers, as a celebration of May Day. Please join in the fun for daily reads from writers and artists coming together from all parts of the world with their own unique voice. I’ve chosen poppies.

Who has never marveled at the audacity of raging color, an invitation to abandon sorrow and give in to giddy happiness?

    Orange Poppy Bowl by MarciG
Who has never touched the delicate petals and thought of them as a  lace spun from the heart of magic?
 
         Icelandic poppy by TheFaerieMarket
Poppies are associated with remembrance, with war or peace, with the solemn sorrows of loss. And yet to me they are a call to awakening. And that beckoning towards an unreasonable intoxication, a joyful delight, is a kind of holiness.

         Felted Skirt by Ingermaaike
Each summer they open. No matter how harsh the winter, no matter how many died, they push forth and unfurl as if waving taunting bright flags. Death is not final! And sorrow cannot keep joy from showing it's face again!

Blue Sky

A piece of mine was featured in a treasury on Etsy. It's a beautiful collection, curated by Dawnebyrantartworks, called Earth and Sky. She chose my Blue Sky soup bowl, which has a look and feel of mist in the mountains.

There's something about the morning sky; it stirs a small inner voice that says 'this day is new. Make it into something precious.'

There's something about low hanging mist. Like something lofty and celestial is hanging near.

Whenever I look up at the sky, whether day or night, cloudy or bright, I feel like that Bette Midler song, God Is Watching Us (from a distance).