I am often awed by how much common ground I have with my brother-in-law who is a research geneticist. We both work in silence and seclusion. We both toll the inner landscape in uncharted territory, intending to bring forth something unknown or unseen yet. We share a near obsessive curiosity about the natural world and what makes a living creature live.
I do not make my stoneware clay owls by technique alone. I am looking at each one in my hand for that precise way that a poke or press creates a living expression. Some are stern, some sweet, some perhaps a little stoned.
My owls appear in OneClayBead as an owl soap dish:
and here as a handmade owl casserole:
If you reach inside yourself, you may discover a place where owls take shape. On the other hand, if you look at my work to see how I did it, and reproduce it by technique alone, your copy will be lifeless. And this is why copycats fail. It is why true artists have work similar in structure and form that has a life all to itself.
This is a discussion started on Artisans Gallery Team and continued on the blog of Nicolas Hall.
If you have thoughts or experiences with copycats, you are welcome to comment.